Primera Edición - 1999

Segunda Edición - 2003

Tercera Edición - 2004


:: Make your own video monsters - 'Eisenstein's Monster' is a participatory
video piece, a tongue-in-cheek coupling of Mary Shelley's 'Frankenstein'
and the montage theories of Sergei Eisenstein.


::
Generative image/text regarding issues of oil production in Venezuela.

:: Dadaventuras is an experiment in aleatory narrative, using comic book
conventions to generate stories from 8 distinct but overlapping
perspectives.

The history of the comic begins whenever pictures and words were first
combined in narrative. This form of communication became commonly used
and recognizable thanks to the development of the printing press, but
the first 'comic' - employing the still familiar speech balloon or
bubble - is commonly noted as Richard Felton Outcault's 'The Yellow
Kid' in 1896.
The language of our narrative is hybrid (from the greek 'hybris',
outrage or violation): composed of parts from different languages, in
this case our own blend of 'spanglish' (spanish/english). This
intentionally recalls the Dadaists use of nonsense to express
dissatisfaction with a world society that continued its insane addiction
to war. But don't feel limited by our nincompoopery. You can use your
own text as the basis for the generated narratives, or one of 8 classic
texts, or just turn the text off completely and make the story up in
your head.

 




 

 

:: Babel


:: País, Ciudad: Inglaterra / Cambridge

 

. Sub-categoría: webpage
. Fecha de realización:
2004.
. Programas y técnicas: M. Flash

>> Eisenstein's Monster
. Sub-categoría: webpage
. Fecha de realización:
2005.
. Programas y técnicas: M. Flash
>> Petróleo
. Sub-categoría: webpage / Cómic
. Fecha de realización:
2005.
. Programas y técnicas: M. Flash
>> Dadaventuras

:: To start each project, click on name.

 
http://www.babel.ca


I am a writer and artist who works primarily with digital text, audio and image. babel [www.babel.ca] represents my philosophical and linguistic interest in the myths of the Tower of Babel – for me it is a cleavage of word and object which is the point where poetry becomes possible (see my Virtual Babel Encylopedia [www.towerofbabel.info] for more on the babel myth). 391.org is an experimental magazine and artist network that has published a number of collaborative digital works since 2000, and originated from my interest in the early avant-gardes, and the relationship of their work to new media art. Other major projects include Animalamina [www.animalamina.com], a collection of multimedia children's poetry supported by the Canada Council, and 404 [www.the404.org], a network of digital and traditional artists exploring early modernism in the context of new medias and the internet, supported by the Virginia Tech Center for Digital Discourse and Culture.
—del autor

Información sobre presentaciones
babel da lecturas/presentaciones realizadas digitalmente.
Información sobre presentaciones: Live streaming and/or archival website access; live chat sessions; emails.Lecturas/presentaciones realizadas digitalmente
7/2004: 'Online/Offline' and 'The Breathing Wall' at Incubation, Nottingham (UK)Premios
JavaArtist of the Year Award 2003 - 'Perspectives of Excellence' Award, (10/2003)Animalamina:
* Recommended Work, ACA Media Arts Festival, Tokyo Metropolitan Museum of Photography, Japan (2/2004)
* Canada Council for the Arts production award (10/2002) Patinage:
* Recommended Work, MAD '03 Net Digit, Madrid, Spain (11/2003)
* Perspectives'03 finalist, Computer Space Festival 2003, Sofia, Bulgaria (10/2003)
* Audience Selected Work, Chiangmai First New Media Art Festival, Chiangmai University Art Museum, Chiangmai, Thailand (4/2003) Protesters, Police, Politicians:
* Recommended work, 9th Art on the Net, Machida City Museum of Graphic Arts, Tokyo, Japan (1/2004)
* Silver place, 2nd Annual Gangart Awards, Australia (10/2003) Echodance:
* Winner, '6 rules compliant' Remix/Remake/Remodel competition, Some Dancers and Musicians, (1/2003) MLE Malapropism:
* Winner, Charterhouse Young Poets competition (UK, 1992)Exposiciones de obras electrónicas
2004:
* Electronic Language International Festival (FILE) 2004, São Paulo, Brazil
* New Forms Festival 2004, Vancouver, Canada
* Biennale of Electronic Art, Perth, Australia
* Imagens que você Jamais Verá na TV, SESC Vila Mariana, São Paulo, Brazil
* Ulisses 2004-03, Teatro odisséia, Rio de Janeiro, Brazil
* West Coast Numusic & Electronic Arts Festival, Stavanger, Norway
* public_space_festival, Yerewan, Armenia
* Digital Visions, University of British Columbia, Vancouver, Canada
* VI Salon Internacional de Arte Digital, Havana, Cuba
* Hole 2004-02, Rio de Janeiro, Brazil
* Basics Festival, Salzburg, Austria
* Electronic Art Meeting, Pescara, Italy
* switch media_ art festival 'Pathiharn Electron', Goethe Institut, Bangkok, Thailand
* Fundacion Gugg und Chaim, Rio de Janeiro, Brazil
* Thailand New Media Art Festival, Bangkok, Thailand
* ACA Media Arts Festival, Tokyo Met Museum of Photography, Japan
* 17th Stuttgarter Filmwinter, Stuttgart, Germany
* 9th Art on the Net, Machida City Museum of Graphic Arts, Tokyo, Japan
2003:
* Perspectives'03, Computer Space Festival 2003 and Goethe Institut-Internationes, Sofia, Bulgaria
* TRANZTECH International Media Art Biennale, Toronto, Canada
* Poesía Visual Urbana and Net Digit, Mad '03, Madrid, Spain
* Taxi Gallery, Cambridge, UK
* Imre Bukta art workshop, Mezõszemere, Hungary
* Next 5 Minutes (N5M) 4: International Festival of Tactical Media, Amsterdam, The Netherlands
* Electric Rainbow Coalition Festival, Hanover, New Hampshire, USA
* Electronic Language International Festival (FILE) 2003, São Paulo, Brazil
* Cityscape 03, Rotterdam, The Netherlands
* Nonetart Festival, Arte Digital Rosario 2003, Argentina
* Lancaster Film & New Media Festival, UK
* La Isle festival, Rio de Janeiro, Brazil
* Pescara Electronic Art Festival, Italy
* Chiangmai First New Media Art Festival, Thailand
* Art Sheffield 2003, UK
* Videoformes - 18th International Festival of Video and Multimedia, Clermont-Ferrand, France
* New Media Nation: Festival of Festivals, Bratislava, Slovakia
2002:
* Video Marathon 6, Center for Contemporary Art, Chisinau, Moldova
* Artmedia 2002, Universidad Maimonides, Buenos Aires, Argentina
* kanonmedia, Austria
* cybermedia events, 43rd International Film Festival, Thessaloniki, Greece
* Fluxus 1st International Film Festival on the Internet, Brazil
* AJAC (All Nations & Japan Artists Co-operation) show, Metropolitan Art Museum, Tokyo, Japan
* Brisbane wRiters Festival type slowly e-vent, Griffith University Conservatorium of Music, Australia
* Computer Space Festival 2002, Sofia, Bulgaria
* Art on the Net 2002, Tokyo, Japan
* Stasis_Space Palimpsest Project, USA
* Minikino Film Festival, Maribor, Slovenia
* Liverpool Biennial, UK
* Sandow Museum, USA
* Indiana University Dept. of Biology, USA
* Whalelane 3 & 4, USA
* Window, Auckland University, New Zealand
* Violens, Tabor, Czech Republic
* AugustArt Festival, New York, USA
* 12-12, Cardiff, Wales
* CBC's ZeD TV, CanadaObras publicadas
2003: 'Dada2Mada' in Perspektive 43 + 44, 'Avant Garde Under Net Conditions' (Germany/Austria)
2002: 'The Hidden Sexual Agenda of the Brothers Grimm: Troilism, Transvestism, Prostitution, Sodomy and Happy Endings', in The Pleasant Unicorn magazine (USA)
1991: 'To remember that writing things down to remember can make you forget what you are trying to remember (to write down to remember)' and 'Julian, Dick, Anne, George and Timmy the Dog: The Famous Five' in East Anglian Poets Anthology (UK, 1991)


 

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